SHEDDING INK

Welcome to Shedding Ink

Shedding Ink is a little-used euphemism for the act of writing. In this digital age we live in, one could also construe a double-meaning of casting off the pen for a computer. What you'll find here is an outlet for me to write about my interests: movies, sports and whatever else happens to be on my mind, as scary as that sounds. You'll find film reviews, a sports blog focusing on the Phillies and Eagles and, if you're in the market for a freelance writer, all the information you'll need to decide if I'm your kind of scribe. Thanks for stopping by.


News & Musings

November 27, 2008 – Movie reviews written by an idiot

That would be me, because I wrote a few movie reviews a while back and forgot to update anyone about it here on the home page. First up, House of Flying Daggers, a Hong Kong marital arts romance period piece. If that seems like too much for a movie to be, that's because it is. On a more positive note, I finally watched a film recommended to me ages ago, and it turned out to be an esoteric joy. It's sort of a documentary on forgery, it's the last film made by Orson Welles, and it's called F for Fake. Rent it pronto.

Oh, and for good measure, I've thrown in a review of the latest movie about a secret agent you may or may not have heard of—James Bond? Ring a bell? No? Well, read about him anyway. Finally, I get to add the letter 'Q' to my film review list.

November 4, 2008 – Go vote anyway

Because our government has been bought and sold by just about every corporate and special interest in America (and even points beyond), I'm not really sure that our votes count for anything anymore. But it's still our responsibility as citizens of this Republic to show up and pull the lever. Too many people have fought and died for that privilege for us not to exercise that right. So get out to your local precinct and vote for someone or something and try not to think about the $1 billion spent on the presidential campaign alone. That's a lot of favors the winner is going to have to repay. Too bad he won't owe any of them to us.

October 31, 2008 – More than 1 million turn out to celebrate Phillies triumph

Michele and I just finished watching a choppy feed of the Phillies victory parade in Philadelphia this afternoon, and the scene was just simply incredible. A sea of red 20 or 30 people deep stretching more than three miles from 20th & Market, down Broad St. and into two stadiums in the sports complex. It helped erase the dreamlike feeling that it hadn't really happened and let the reality of moment completely sink in. The Philadelphia Phillies are indeed the best baseball team in the world. No matter how I phrase it (or Chase Utley f-bombs it), I get a huge smile on my face every time I type those words.

September 28, 2008 – WTF?

I've been looking forward to something original from the Coen brothers for several years. Burn After Reading is hardly their best work, but even with a little rust, their films are better than most.

September 27, 2008 – Paul Newman (1925-2008)

Paul Newman, one of the last great classic American movie stars, died Friday at age 83. When I heard the news this evening, I wandered over to my DVD collection to find one of his films to watch and remember what a remarkable actor he was, only to realize I don't own a single film with him in it.

After shaking my head in disbelief at such an egregious oversight, I started to think about why one of the greatest actors in the history of cinema isn't to be found in any of my DVDs. I immediately thought of The Hudsucker Proxy, the Coen Brothers' tribute to the screwball comedies of Capra, Lubitsch, Sturges and Hawks. It's one of my favorite films and a truly underappreciated comedy which deserves a full-press treatment on DVD and currently has nothing of the sort, which is why I don't have it. So that's one I would own, if a better version ever presented itself, and would watch in a heartbeat in fond remembrance of Newman, whose forceful performance as a conniving corporate executive rules every one of his scenes.

Since most of the films in my collection are there based on the directors I like so much, I started to think of the great filmmakers he worked with and wondered why I don't have any of those films. It soon occurred to me that Newman didn't really work with very many cinema masters, and when he did, the results were often less than perfect. Alfred Hitchcock's Torn Curtain is a forgettable mess—one of Hitch's worst films. John Huston's The Life and Times of Judge Roy Bean is all right, but it's Newman who carries that film, not the director.

In fact, if you look back over the course of his career, what you find is a smorgasbord of really good films, few of them great, all featuring Newman in a wide variety of roles and all being carried by his enormous talent. In other words, we don't think of Paul Newman as having been in great films; we think of those films as being better because of Paul Newman.

Consider his greatest performances for a moment: The Hustler, Hud, Cool Hand Luke, Absence of Malice, The Verdict, Nobody's Fool and Road to Perdition. All of those films (again—good, not great) were helmed by able directors, some of them very well known. But would any of those movies be a shadow of what they are had another actor filled those roles? Even The Color of Money, for which he finally won a Best Actor Oscar for in 1986, is really a Paul Newman picture, not a Martin Scorsese film.

Ironically, perhaps Newman's two most famous films, Butch Cassidy and the Sundance Kid and The Sting, speak to his talent more than any of these others. Great acting isn't about dominating the screen, as far too many movie stars fail to realize; it's a collaborative effort. While I've always thought Butch Cassidy and the Sundance Kid was overrated, his work with Robert Redford in both of these George Roy Hill films is the epitome of how a great actor blends in with the cast around him, even if he is the leading man (or co-leading man). His chemistry with Redford is so good in fact, people often think they made more films together than just these two.

That same generosity which created such indelible film roles spilled over into his private life—or perhaps it was the other way around. Newman's 50-year marriage to actress Joanne Woodward was a marvel in Hollywood terms. And his philanthropic efforts on behalf of gravely ill children (his Hole-in-the-Wall Gang camps) and the arts, and the proceeds for countless other charities generated by the Newman's Own food brand, are well-documented.

No matter how many films he made better through his presence, it's the many other lives he made better in the real world that actually count. Obviously that's the best legacy Paul Newman, or any man, could hope to leave.

September 22, 2008 – Sigh of relief

There was a lot to like about yesterday if you happen to be a Philadelphia sports fan. The Phillies extended their division lead and the Eagles defense used Steelers quarterback Ben Roethlisberger as their personal punching bag in a 15-6 win. But 50% of the Eagles offense left the field with a bad ankle injury that had the entire Delaware Valley holding its collective breath. Good news: It looked worse than it is. Brian Westbrook should be back by the October 5 matchup with the Redskins, if not sooner.


Archives


Latest Recommendations

Movies: Quantum of Solace

James Bond is back with a vengeance, literally. He's none too pleased that some very bad people drove his girlfriend to her death, and his loss is an acion movie lover's gain. Review

Music: In Rainbows by Radiohead

Half the time I can't understand what frontman Thom Yorke is singing, but the sound he and his fellow band members produce is so rich and intricate that I don't even care. It's more than enough to keep anyone with a musical ear occupied. If lyrics are your thing, this isn't the group for you. (Don't worry—the CD comes with a lyric sheet if you like both.) In Rainbows is also notable for the pay-what-you-want method in which it was first released by the band on its website at the end of 2007, after their contract with EMI expired.

Books: Beethoven by Edmund Morris

You may have gathered that I'm a bit of a biography buff. This one is part of the "Eminent Lives" series of biographies, in which noted biographers pick a celebrated historical subject and try to condense a voluminous amount of research on the person into a relatively quick, engrossing read. Morris chose Ludwig van Beethoven, who revolutionized music in the early 19th century and continues to influence the music you listen to today. It's a fascinating peek into the life of a quirky, paranoid genius whose handicap might have ruined the life of any other composer. Instead, he produced some of the most profound music ever conceived by man.